![]() This is a contentious issue among recording engineers, and the hunt for an interface with clean, transparent gain, is one that all dynamic mic users will inevitably face. As preamps increase in gain, the potential for additional noise, and sound coloring also increases. If you’re using an interface not cut out for the job, you could find yourself needing to crank up the gain.īoosting gain in this way requires the interface to make use of preamp circuitry and depending on the quality of the preamps, this may have adverse effects on the audio. To achieve an acceptable recording level with a mic such as the Procaster, either a gain boosting device such as a Cloudlifter or an interface with good preamps is needed. While there is a multitude of reasons you would want a low sensitivity microphone, it is no secret that low sensitivity makes for a gain hungry microphone. Having tested the device on multiple stands and booms arms ranging in quality, the weight has at no point become a hindrance, easily being held up and maintained in position in each instance. The whole package weighs in at 745g, demonstrating the care and attention put into ensuring a rugged and substantial product. With an all-metal housing, this mic feels built to last. The boosts at these frequencies ensure that any vocal takes are both warm and present in the recording. The frequency response of this microphone sits within the range of 75Hz – 18kHz, and the response curve sees boosts at 150Hz and 7kHz. The Procaster is marketed as a professional broadcasting microphone, and from looking at the specs it is quite clear why. This mic picks up the slack through passive noise reduction in any untreated environment it is placed. With an internal pop filter and shock mount, out of the box the Procaster is equipped to reduce as much ambient noise and mechanical transmission as possible.
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